Starting with the trade of materials from Europe in the late 18th century, Cherokee and other Southeastern Woodland fingerweaving thrived. The technique used, called open face or flat braiding, was typically done with one color of fine wool in an oblique pattern. Beads, usually white, were woven into the weaving making patterns along the oblique line. All weaving is 100% wool and glass size 10 beads.
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Check out my YouTube channel for lessons and information about oblique fingerweaving!
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Featured Works
See detailed images in above gallery.
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Water Is Life
This piece was inspired by the Standing Rock Sioux protests against the Dakota Access Pipeline being constructed through their land and water supply. Water is precious. Water is life. |
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Jacobite Groom
This piece of Southeastern Woodland Fingerweaving is a statement of my heritage that holds a special place in my heart. Around the same time my Cherokee ancestors were doing this style of weaving, the Dress Act was being enforced in Scotland, prohibiting my Scottish ancestors from wearing the kilt and other traditional clothing. Many generations later, my rich family trees merged, and I enjoy merging their art forms. The colors I chose are from the Graham tartan. My Graham ancestors had to flee Scotland and reverse the spelling of their name, creating the Maharg family. I imagine a beautiful wedding with a Cherokee bride and Scottish groom. He would be proudly wearing a kilt, tartan, and brooch. |
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Three Worlds
This three piece set represents the concept of the three worlds of Cherokee mythology. The sash represents the upper world with colors of sky and smoke. The belt represents our world with colors of the forest. The knee bands represent the lower world with colors of water. |
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